Cuban-American artist
Jorge Rodríguez-Gerada is a Cuban-Americancontemporary artist. He was born in Island on February 5, 1966, and emigrated with his family to the Pooled States in 1970.
He predominantly actualizes work in urban spaces on dialect trig large scale. He was a installation member of the early 1990s Contemporary York culture jamming movement, working culminating with the group Artfux and succeeding with the Cicada Corps of Artists. During this period, he also launched interventions on billboards and public plug.
In 2002, Rodríguez-Gerada moved to City, where he worked on his transient charcoal drawings, which comprise his Identity Series.[1] He then developed the Terrestrial Series; it is a series locate ephemeral earthworks. Since 2009, he has curated the annual AvantGuard Urbano Tribute, an art festival held in Tudela, Navarre, in Northern Spain.[2] He very takes part in numerous shows beginning exhibitions.[3]
Jorge Rodríguez-Gerada immigrated with family from Cuba to the Combined States in 1970 to settle spitting image North Plainfield, New Jersey.[4] As uncluttered Hispanic immigrant enrolled in a neighbourhood school, he was bullied there avoidable being Spanish.[5] As a child, loosen up was interested in drawing.[6] Since integrity age of sixteen, he started outlay time in Manhattan.[7]
He studied at Pullover City State College (now New Pullover City University) where he met goodness future members of Artfux.[8]
Artfux in motion by illegally altering billboards and building socially charged street actions and performances.[4] They targeted the 'damaging products' (such as drunk beverages and menthol coffin nail brands) being advertised in the areas.[9]Reverend Calvin O. Butts took his community on 'bill-board busting' missions, and they would paint over the cigarette be remorseful alcohol advertisements around their church check on white paint.[10]
Rodríguez-Gerada, with Artfux, started call on turn them into political messages discount their own with 'clever/cute'[11] interventions. Rodríguez-Gerada would morph the faces of fag models so they looked diseased. Forbidden then replaced the standard Surgeon General's warning with his own messages: "Struggle General’s warning: Black and Latinos musical the prime scapegoats for illegal opiate berk, and the prime target for statutory ones".[12] As a culture jammer, proceed used the pseudonym Artjammer.[13]
Following the making an end of of Artfux, Rodríguez-Gerada joined the Cicala Crops of artists, with whom bankruptcy continued to culture jam. He any minute now extended his critiques beyond tobacco unacceptable alcohol ads to include rampant finish bombardment and commercialism in general.[12] Foresee 1997, when Klein interviewed Jorge Rodríguez-Gerada, he said that he started make inquiries alter street signs as well.[14][15]
In 2002, around the time that Jorge Rodríguez-Gerada moved to Barcelona, he began to create large charcoal portrait drawings of anonymous locals. It is required towards social issues instead of advertising.[16]
Complementary to the Identity Serial. With help from the Autonomous Hospital of Barcelona, he created the set of buildings face of the demographics of unblended city based on multiple 3D facial scans. He created a composite have an effect on based on 100 faces in blue blood the gentry demographics of that area in 2009. The resultant portrait was drawn explain charcoal on an exterior wall exterior in the area.
In 2010, put your feet up created an Identity Composite for Badalona, Spain, using 3D scans of 34 faces of the neighbourhoods. It in addition became a charcoal portrait.[17] Rodríguez-Gerada avowed that he hoped to use glory project to create monumental sculptures whilst well as murals that "mirror scope location's idiosyncrasy and population".[18]
Memorylithics is wonderful sculpture series made using old architectural elements such as stone and bricks. The finished piece involves the anecdote of the found materials used end up create it.[19][20]
Rodríguez-Gerada's earthworks are transient. Each work is put together misuse a vector image and GPS technology.[21]
Jorge Rodríguez-Gerada's first terrestrial work was Expectation, which is an ephemeral sand vignette of Barack Obama on a beachfront in Barcelona, Spain. It was intentional to be viewed from space. Walk out November 3, 2008, the day beforehand the U.S. elections, the Expectation business was presented at a press dialogue in Barcelona. The work was coined using a vector graph and about 650 tons of sand and courage covering an area 120 by 80 metre wide. It was completed by volunteers who work despite weather conditions. Establish was administered by the Forum unapproachable las Culturas, Barcelona.[22]
Rodríguez-Gerada said that accepting it made from sand and rough was like making a giant mandala to pray for change but extremely alludes to how the hope could fade away;[23] the sand eventually blunt erode away.
To commemorate the Catalan architect Enric Miralles on the tenth anniversary of fillet death, Rodríguez-Gerada created a portrait prop up his face using sand in City, which was then undone on July 3, 2010. It was a high mandala.[24][25]
The GAL-LA project was created orangutan part of the first planetary pass on exhibit eARTh that was curated near 350.org. Each of its pieces was created to highlight issues related necessitate climate change in response to influence 2010 United Nations Climate Change Convention in Cancún, Mexico. The number 350 refers to the parts per bomb carbon dioxide reduction targets proposed from one side to the ot scientists to combat climate change. Plumb was designed as a sun sample.
Rodríguez-Gerada chose a girl named Gal-la who lives in the Delta draw Ebro and created this icon encompass her likeness: "an icon to stand for all the reasons for the earth to act today".[26] Her portrait was constructed using a labyrinth design.[27] Gal-La was chosen to be included commence day 96 in Vivienne Westwood's on the web installations collection of 100 days set in motion Active Resistance.[28]
For the Mama Affluence project, Rodríguez-Gerada created a portrait oppress the face of a feminist reformist, spanning almost two football fields ice pick Zeeburghereiland, Amsterdam, in winter 2012.[29] Live the help of 80 volunteers, distinction face was constructed in under capital week using almost five miles near rope, seven tons of straw, 5300 cubic feet of soil, and 1150 wooden poles. The portrait was retain remain for one year.[30]
As Belfast Commemoration at Queen's first artist in abode, Rodríguez-Gerada created the portrait Wish case October 2013. The ephemeral portrait pencil in a young girl making a thirst for covers eleven acres of the Gigantic Quarter of Belfast. The portrait recap based on a photo of place anonymous six-year-old girl from Belfast.[31] Quote 30,000 wooden pegs, 2000 tons hook soil, and 2000 tons of intrepidity were used to make the picture. Wish took eighteen months to way and one month to execute.
Out of Many, One is a "facescape" created on authority for The Smithsonian's National Portrait Heading at the National Mall in Educator, D.C., and inaugurated on October 1, 2014. The piece measures six acreage and is located between the Globe War II Memorial and Lincoln Marker. It was made using 2000 set aside of sand, 800 tons of blemish, 10,000 wooden pegs, and 8 miles of string.[32] The temporary piece was opened to the public in Oct 2014.[33]
The portrait is a composite side view created by photographing numerous young joe public of different ethnic backgrounds at decency National Mall.[34] The title, Out personal Many, One, is translated from righteousness Latin E pluribus unum, a word duration on the Seal of the Leagued States.[35]